There are the following main types of painting:
Easel painting. It got its name from the word "machine," which means an easel. True artists, accustomed to writing always and everywhere, rarely part with this three- or four-legged "friend." Having set the canvas on an easel, the master has the opportunity to paint an interesting plot without distortion (as happens when drawing while sitting at a table) and, from time to time, to move away from work to evaluate the result from a distance. This technique allows you to see the big picture and quickly correct flaws.
Monumental painting. It is inextricably linked with architecture. Its other name is "mural," meaning "wall painting." The ceilings and walls of buildings are decorated with monumental paintings. As a rule, the plot of such a "canvas" emphasizes the structure's purpose, forming a single concept with it, both artistic and thematic. Most often, the fresco technique is used - painting on wet plaster.
There is also decorative painting, the main calling of which is to decorate. It is distinguished by pure, rich colors, carefully crafted forms, and logical construction of the composition. The direction features include a violation of perspective, a change in proportions, a lack of volume, and the presence of contour and ornamental patterns. Decorative painting can be both easel and monumental.
The main styles of painting Over the centuries of the development of fine arts, new types of writing works have been formed. Some classes only existed for a short time and did not find support in society. Others have become standards that modern artists are guided by. Consider the main styles of painting:
Renaissance (Renaissance). The style originated in Italy in the 14th century. Focused on the image of the secular side of life. Artists glorify the cult of the human body and show interest in details. Became the basis for the Rococo style - a sophisticated "version" of the Baroque https://www.popartyou.com/;
Mannerism. Came from Italy in the 16th century. The style is characterized by: excessive eroticism, broken lines, some deformity, elongated figures, compositional congestion, a caustic color palette, tense poses, and so on;
Baroque. The style originated in the 16th century in Italy. Came to Spain, France, and Germany. The main features are luxury, splendor, and dynamism. Much attention is paid to decorations and other elements that emphasize wealth, belonging to a wealthy class;
Classicism. It originated as a style in the 17th century in Western Europe. A hundred years later covered the eastern part. Paintings painted in severity are distinguished by their naturalistic, dogmatic reproduction. The progenitor of academicism, welcoming the canons of fine arts;
Romanticism. Originated in Western Europe at the end of the 18th century. The style was characterized by an emphasis on the emotions and individualism of the characters in the picturesque scenes, as well as the glorification of the strength and beauty of nature. Romanticism reached its peak in most countries between 1800 and 1850. impressionism. Came from France at the end of the 19th century. The essence of style is to capture the moment with quick strokes. Canvases made in this style must be viewed from a short distance, so that bright spots of paint form an overall picture;
Expressionism. Originated at the beginning of the 20th century in Europe. It is believed that expressionism is a transformation of impressionism, which evolved from the usual description of the surrounding reality into an expression of the subjective state of the artist. An attempt to influence the viewer through emotions is conveyed with the help of basic techniques: bright and flashy colors, angular and twisted lines, rough and fast strokes;
Avant-gardism. It stood out in a different style at the beginning of the 20th century. Closely associated with modernist trends and involves the search for new forms and images, as well as introducing innovative concepts into a painting by simplifying the image on the canvas. The essence of the avant-garde is irreconcilability with traditions, the classical understanding of painting, and the fight against stereotypes.
