What's interesting, too, is that the makeup of Belle's creative team very much supports the internet utopianism of the film, not just because Hosoda discovered Wong online, but because of his generally "borderless" approach to sourcing key artists from around the world. Wong reflects that "that's the beautiful thing about the internet. It could have been anyone in the world [he partnered with].
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Good article but I wonder if you could write a bit more on this topic? I'd be grateful if you could explain a little more. I really appreciate that!
